These traits and motivations aren’t necessarily without value, but they are overly familiar, and feel secondary to broader matters of technological and government overreach, the risk of human fallibility, and the age-old matter of freedom versus security. Privileged Lennix has political aspirations Hour, the child of Iranian immigrants, seeks the acceptance of a country that has ostracised her. It’s the same with Mara, who was great in A Teacher, also an FX-on-Hulu endeavor, but feels a bit hamstrung here in her stoicism.Īs mentioned, Class of ’09 poses interesting and worthwhile questions, but then values answering them above all, and sometimes boils down the nuance of humanity to more neatly explore the knock-on ideas of its premise. Brian Tyree Henry’s involvement is an obvious selling point, but the most interesting version of him – the FBI director of the future forced to justify a new status quo – is also the most muted. One does get the sense – thus far, anyway – that none of the individual story strands here have enough meat to stand on their own, and that the show overall is much more interested in its ideas than it is in its actual characters. It worked better there than it does here. And whatever happens here invariably informs “The Future”, a third and final timeline in which Tayo is the director of the FBI and some significant present-day event has justified the mass proliferation of an AI system that has made people safer, but at the cost of their civil liberties and utility as free-thinking human beings.Ĭlass of ’09 is from writer Tom Rob Smith, who also employed a deliberately convoluted structure in his American Crime Story season, The Assassination of Gianni Versace. In “The Present”, the agents are all at work.
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